My Movie Biography: 2011 and How I Came to Love Jessica Chastain

(2006, 2007, 2008, 2009, 2010) 2011. The bestest year ever. Well, in my life so far, but it is not like I have that many years to compare it to. It is kinda hard to write about a year so close to this one, but lemme tell ya, tomorrow is going to be even harder. Anyway, hope you're enjoying the series, and mark your calendars for Sunday. Big things are going to be happening!

• I went down to Wellington for a week with my best bud. It was fun. We went to the cinemas like, four times. I usually never go to the cinemas more than three times on my holidays (I know it is really bad, but hey, I'm in a big city, so how can I refuse that?) We went and saw Tron: Legacy (which we didn't really like), The Social Network (because somehow it was still in cinemas), Morning Glory and Unstoppable. It was so fun!
• One of the worst experiences I've ever had was watching Eat Pray Love when it was excruciatingly hot. That movie is by no means short. And it just does not stop. Ever. Okay it does, but it literally felt like I'd missed Christmas by the time it ended. 
• I get very nostalgic over that summer because I spent the entire thing to the tunes of The Social Network's soundtrack. Sometimes I just listen to 'Painted Sun in Abstract' and it takes me back to those happy times. And then I look outside and it has just started hailing for the fifth time (we are supposed to be in spring).
• That awards season was crazy. It was the first year I really got into it, even managing to watch all of the Best Picture nominees before the show. My love for certain movies changed so much during this awards season. First of all, I kinda resented The Social Network for being more popular than Inception. But what did I really expect? I thought that The Social Network was just gonna sail through and win everything. Then The King's Speech won the PGA. Everyone was now like "The King's Speech for Best Picture!" So I promptly realised that Inception wasn't going to win anything, I went and saw The King's Speech and thought it was pretty average, and then I became team The Social Network. From there on I became the biggest raging The Social Network fan on the planet. Every time I heard The King's Speech mentioned, I would fake gagging reflexes. I knew it was well over when The King's Speech won the SAG, but I refused to let go of the hope that The Social Network might take that award home. My friends and I gathered around the TV and watched The King's Speech win Best Picture. I may have cried.
  Those Oscars tore apart my life, man. Which I realise is pretty silly considering everyone in the blogging world hates the Oscars (seriously, they're still my favourite part of the year). Now I can tolerate The King's Speech, even though I still feel those twangs of pain whenever I hear it mentioned. As I said last night, I still can't decide between Inception and The Social Network being my favourite film of 2010. Ah, to look at things with a clear head...

I Am 16, Going on 17...

In a few hours, it’ll be my 17th birthday. To be honest, I don’t see 17 as a very special birthday, apart from the fact that if I lived in America I’d be able to legally watch Shame, when in an actual fact I have to wait another year to see it legally in NZ (ironically, I am getting it for my birthday). Other than that, all I can say about this birthday is that it brings to a close what has probably been the best year of my life thus far. This time last year, I did my 16 Days of Birthday marathon (it was really a year ago?), building up the excitement to the birthday that would let me get R16 movies out myself. The year didn’t disappoint. It has been filled with some great achievements and memories, of which I am proud to have lived through in one way or another. Instead of boring you all with my usual “life is great!” speech that is so blatantly throwing heavy-handed inspiration at people who probably don’t need it, I’m going to share the 16 most memorable things that have happened to me in my 16th year of living. I feel like I should be apologising for yet another personal post, but I’ve built a blog based around my strange personality – another achievement which being 16 has lead me to. So, in no particular order, here’s my year:

-Getting a LAMMY for Best Rating System, along with being Runner Up for Best Blog, and then three other nominations on top of that.

-That Paramount call. Waiting for that call was pretty much the longest week of my life, and I could probably tell you everything I did that week even though it happened nine months ago. Anyway, it was awesome to get praise for a school essay from Hollywood.

-Finally seeing The Dark Knight Rises after four years of waiting, and crying my eyes out like I’ve never cried before.

My 20 Favourite Movies of 2011.

Okay, here we are. 20 may seem like a big number, but it was the only way I could fit in everything that I wanted to fit in. So let's not spend any time waffling - it is time for me to close out 2011 once and for all...

Honourable mentions: Hesher, Moneyball, Like Crazy, The Ides of March, Incendies, Rise of the Planet of the Apes, Captain America: The First Avenger, Sarah's Key, The Adventures of Tintin, Mission Impossible - Ghost Protocol, Limitless, Thor, Young Adult, Hugo, Melancholia, Contagion, The Help, Crazy, Stupid, Love., Harry Potter and the Deathly Hallows Part 2, Super 8, X-Men: First Class, Source Code, Jane Eyre, Rango, Another Earth, Perfect Sense.

20. The Skin I Live In - Dir. Pedro Almodovar

A little strange? Definitely. The Skin I Live In, Pedro Almodovar's latest film, explores themes of loneliness, sexual identity, death, and possibly the most unique tale of revenge that I've ever seen. In other hands, this would have been the stuff that fits right into The Human Centipede's generation of horror. Almodóvar creates his macabre, ominous tale with elegance, kitsch and malevolence. The Skin I Live In is almost in a breed of it's own, playing out as a horror that dares you to get under your skin and make you question your own identity. Which is somewhat funny to see these days when horrors are all about scaring you with more blood and guts than are probably possible to be inside one person.

AAN: The BAFTAs are Better than the Oscars.

There, I said it. I think I might just base my whole awards season around the BAFTAs and end it there. Because the Brits know where it is at. You won't find any Extremely Loud and Incredibly Close here.

I don't really have a tremendous amount of things to say about the BAFTAs since I didn't watch the show and they won't have a lot of impact on the Oscars at all. So just some sprawled thoughts on the winners - which may not make a lot of sense, since World War 3 is still going on in my head (okay, I think ever since I watched Trespass the excessive screaming from that movie has been stuck in my head wreaking all sorts of havoc).

-The Artist won Best Film. Can't say that was a surprise. Hopefully every cinema in NZ will take note so maybe it won't be playing in only nine cinemas and might actually come to Palmerston North before the Oscars. Just a thought.
-Tinker Tailor Soldier Spy for the Best British Film. I still need to see this movie...but no-one has found the kindness in their heart to drive me over to the cinemas. Eh.

-I'm going to change my name to Jean Dujardin. I like the way it rolls off my tongue...it sounds so sexy. I don't care if I'm a girl.
-So, I guess that means Jean Dujardin will win the Oscar? Anyone but George Clooney, baby. But I'm sad that Fassy didn't win, because I would have yelled 'SUCK ON THAT, OSCARS!' from the rooftops (...of Dannevirke, New Zealand).
-Oooh, Meryl Streep won Best Actress, just as I predicted it. I think the race is practically 50/50 between Davis and Streep...it'll be interesting to see who gets it. But you know me, my heart is with Rooney Mara all the way.
-Christopher Plummer got Best Supporting Actor. Usually I get sick of people sweeping all of the awards, but not Plummer. He was amazing in Beginners.

-I'm sorta surprised that Octavia Spencer won Best Supporting Actress, even though I'm not sure who else it could have gone to. Alas, my dream of seeing Jessica Chastain deliver an acceptance speech this season is quashed :'(

BAFTA Predictions w/ Fassy, Loki and Owen

Well...here we go. We're on the home stretch. The BAFTAs are generally my favourite awards of the season because the Brits usually know what they're talking about, even though there are a few oddball nominations here. Now, I know you might be a little sick of awards talk (even though I think it has been curiously absent and it is more about the backlash this year), but bear with me. My pageviews/comments have been down for a little bit, and I don't think this post will help with that...but it needs to be done.

Now, a refresher on the way Fassy, Loki and Owen are used for predictions:
Happy Fassy: Who I want to win, but doesn't necessarily mean that they will win.
Lowkey Loki: Who will win. My final prediction.
Overwhelmed Owen: The complete longshot.

Best Film:
The Artist / The Descendants / Drive / The Help / Tinker Tailor Soldier Spy

I'm going for Drive all the way, as I'm still fuming over how ignored it was at the Oscars. Actually, I think that Drive and Tinker Tailor Soldier Spy, two films which failed to get a Best Picture nomination at the Oscars have a better chance of winning this award than actual nominee The Help. I'm surprised that the BAFTAs loved The Help as much as they did, but I can't see it taking many awards apart from the acting ones. As for the actual winner, it'd be stupid not to pick The Artist, as that seems impossible. But I wouldn't be surprised if the most overrated movie of the year The Descendants takes the award...every seems to love that one for some strange reason.

Alexander Korda Award for Outstanding British Film of the Year:
My Week with Marilyn / Senna / Shame / Tinker Tailor Soldier Spy / We Need to Talk About Kevin

This is possibly one of the hardest categories to pick, considering how much quality there is in it. I think that My Week with Marilyn is the longshot considering it was the lowest rated out of all of them, but the fact that it has a lot of nominations in the acting categories could mean that it isn't such a longshot. Alas, my heart is with Senna, my favourite film of 2011, and I could definitely see it taking out the award. However, with Tinker Tailor Soldier Spy having a Best Film nomination and all, it has the advantage over everyone. I wouldn't go past Shame and We Need to Talk About Kevin to take away the award, though...can they all just win?!

THE REST AFTER THE JUMP!

10 Oscar Fails in 2012

Every year, we get a set of Oscar nominations and there's always something to complain about. This year might just be a prime example of that. I did this post at the same time last year, so I figured I could do it again. So here are the snubs in top 10 order, the way I see them...

10. Best Original Score: The Chemical Brothers - Hanna

I may not have been the biggest fan of Hanna, but that score has been on replay on my iPod ever since I bought it in October. It is filled with so many strange sounds that take you to this fantastical place worlds away from here. It really is an out of this world score. Perhaps it is the absence of violins or other orchestral instruments that don't make it an obvious choice, but it was truly the best thing I'd heard since The Social Network's score. And how about 'Container Park'? That song makes me wish I was chasing down some evil people and beating the crap out of them. But then I've got to remember that I'm walking down the main street of Dannevirke.

9. Best Original Screenplay: Mike Mills - Beginners

I must admit, while I liked Beginners, I wasn't the hugest fan of it when I first saw it. Then I bought the DVD and I was completely taken away with it. While the performances at the front are all brilliant (it is so sad that Ewan McGregor is going unnoticed for his work), it is the somewhat personal script by writer/director Mike Mills shines through. It is raw and realistic - in many ways, what The Descendants ultimately failed to do for me. I particularly loved the "this is what .... looks like", and the fractured timeline. Not to mention the dialogue that Arthur got!

8. Best Animated Feature: The Adventures of Tintin

Don't quote me, but I thought that The Adventures of Tintin was all cleared to be eligible for this award. And hey, motion capture is the way of the future, so why wouldn't this be eligible? It may not have been perfect, but it was a bloody fun ride and I'd definitely pick this over Puss in Boots any day. The snub hurts...and it particularly hurts NZ, too. While everyone was crying foul over the more obvious snubs like Fassy, every news program in NZ kept going on about the Tintin snub. It's okay, we in NZ are used to being pushed aside and forgotten...

7. Best Picture: Harry Potter and the Deathly Hallows Part II

There were many deserving films that missed out on a Best Picture nomination - Drive, Tinker Tailor Soldier Spy, The Girl with the Dragon Tattoo etc etc etc, but no snub hurts as bad as Harry Potter and the Deathly Hallows Part II. Say what you will about the series, but there have been some great films that have come out of it and they sure have a huge fanbase. This film was particularly good, becoming the highest grossing film of the year and one of the most critically acclaimed, too. But the reason that this film should have been nominated is the fact that it is literally the end of an era. The Harry Potter films have had their fair share of technical nominations, but this was the last chance it ever had to be nominated for something more. It seems like such a waste and a little offensive that they wouldn't give this last film an award that the series genuinely deserved. Oh well, the Academy are going to regret it in a few years.

6. Best Original Score: Trent Reznor & Atticus Ross - The Girl with the Dragon Tattoo

Sure, they may have won last year and sure, this score isn't as good as The Social Network's, but their just about three hour long score is a beast. Literally. Starting with a cover of 'Immigrant Song' and ending with a brilliant vocal song called 'Is Your Love Strong Enough?', with plenty of dark ambient tones in between, this has the power to be at times either relaxing or terrifying. In some of the songs, I feel like I should be wearing a leather jacket and chasing after an Enya enthusiast, and in others, I feel like walking around like a badass. But just like The Social Network, the soundtrack makes me feel like a total badass when I'm typing. I definitely would have shafted both of the John Williams scores for this one and Hanna. Because with the War Horse one, if I played that whilst walking across a lush green field I wouldn't feel like a badass.

5. Best Actress: Kirsten Dunst - Melancholia

It is a little weird to think that Melancholia didn't get any Oscar recognition (but I think Lars von Trier kinda ruined that for himself), because it did deserve it. Especially deserving was Kirsten Dunst, who delivered my second favourite female performance of the year (the first being Rooney Mara, say what you will, she was amazing) as the depressive Justine who is out to destroy herself and everyone around her. Considering that Dunst went through a similar type of depression not so long ago, you have to praise her for revisiting what was probably a horrible time in her life in crippling fashion. Her performance was absolutely heart-breaking while making me hate her because of her nihilistic views of the world and how she ruins everything. I thought that her Cannes win would have given her some momentum, but alas, a truly great performance is forgotten in favour of mimicry from Meryl Streep.

4. Best Actor: Michael Fassbender - Shame

No, I haven't seen Shame. But I know enough. Michael Fassbender should have been nominated, goddamit. What pisses me off the most about this snub though, is the reason that an Academy voter gave to the LA Times: "He's a guy who's unfamiliar to a lot of people and did a movie that's really intimate. That was a super-brave performance but…perhaps it inspired people to fantasize, and not actually vote." All I have to say is fuck you. That is a bullshit excuse for not voting someone in. You're just too scared to nominate something so explicit and you're jealous because Michael Fassbender's penis is bigger than yours. Assholes.

3. Best Supporting Actor: Alan Rickman - Harry Potter and the Deathly Hallows Part II

I would have loved to have seen either Ralph Fiennes or Alan Rickman nominated for their brilliant work in the Harry Potter movies, but if we were going for just this one film, Alan Rickman deserved some recognition. He was one of the only actors who found consistency in his character right throughout the series. But it is in this particular film where he is given his time to shine (somewhat briefly, though), and he is absolutely heart-breaking. He is beyond amazing as Severus Snape that it makes me wonder why, in such a weak field, he didn't come forth as a proper competitor. Rickman's voice gives me the chills, too.

2. Best Director: Nicolas Winding Refn - Drive 

Give Refn a few years and a few more films like Drive, and I think he'll emerge as one of the best modern directors. Before Drive I saw Bronson, which I really disliked, but I LOVED his directorial style. With Drive, this is more of a Hollywood film with half of the budget, and he delivers with style. Calm, fresh style. The car chases aren't edited to incomprehensibility, and the really violent scenes are directed in slow-mo so they get under your skin. Add in the hand-picked 80s style soundtrack and you have so much badassery it is criminal. I look forward to what Refn has in store for us...he is awesome.

1. Best Editing: Senna

Okay, so it was never going to happen. And I'm still fuming that it didn't make to the Best Documentary shortlist. But let's look at it this way: the films nominated had a few hours of footage to edit into the story from the screenplay and add a bit of style. And for all we know, they did that well. Senna, however? That had footage from a man's entire LIFE to edit down. What it got edited down to was something pretty close to a normal looking narrative, and it doesn't even use interviews from the present day, just archival footage. It features some of the most phenomenal editing I've ever seen, and it would run rings around any of the other films and their editing released in 2011.

What are your Oscar fails of 2012?

Stevee's Unofficial Best Films of 2011

Again, when I say 'unofficial', I definitely mean unofficial. I've seen barely anything this year...it'll be months before I see such movies as The Girl with the Dragon Tattoo, War Horse, The Artist, Drive, Shame, The Descendants, Moneyball...one day I'll get around to doing an official one. For now, here are ten movies which I found quite good. And if you look at this list, you'll see just how pretentious and arty I have become over the past year.
Anyway, I know the criteria that I had for films that were really made in 2010 but they came out here this year. I've chosen not to include films like Blue Valentine or Never Let Me Go, even if they were released here in 2011, because I think of them as 2010 films no matter what. There is one film that I've included here that was in contention at the Oscars earlier this year, but I feel that it deserves a spot here considering it was part of this year's film festival and I never got to see it until a week ago. So yeah, I know what I'm doing.

Honourable mentions: The Orator, Meek's Cutoff, Beginners, Contagion, Super 8, Tucker & Dale vs Evil, Trust, Winnie the Pooh, Crazy Stupid Love, Sarah's Key, Captain America, Limitless, Rango, X-Men: First Class, Source Code, Thor, Horrible Bosses.

10. Submarine
I just saw this film last weekend and I absolutely fell in love with it. There is just something about it's quirkiness and being so unashamedly over-the-top that I found it hard not to be drawn in to Oliver Tate's weird little world. Both Oliver and Jordana seem refreshingly real - well, Oliver is a bit pretentious - which makes this UK teen comedy shine. Not to mention, Paddy Considine plays his crazy character just the way Nicolas Cage would have...except he is much better.

9. The Help
This film gets a spot on my list because I had a pretty enjoyable time watching it at the cinemas, and it was a great adaptation of one of the best books I read in the past year (okay, don't take my word for it, I probably haven't read over five books in 2011). Plus, it has so much talent on show: Viola Davis, Octavia Spencer, Emma Stone, Bryce Dallas Howard, Jessica Chastain (whom I loved in this movie), Allison Janney, Sissy Spacek...such a strong female cast, and how often do we get that? We mustn't forget that I cried at least five different times during this movie, and when I cry, it sure isn't because I didn't like the movie!

8. Melancholia
Melancholia gets a special place in my heart because it was the first movie I ever got to see at the New Zealand Film Festival. Hopefully next year I can watch a few more. Lars von Trier's apocalyptic tale is one of beauty shrouded in sadness, as we see how a rogue planet affects two very different sisters. One of these sisters is played by Kirsten Dunst, whose performance should really be nominated for an Oscar because it is so cripplingly depressing. But the main reason that Melancholia has appeared on this list is because of it's absolutely amazing ending. Seriously, I can't believe how much I was shaking when the credits hit. I literally did feel like the world just ended.

7. Rise of the Planet of the Apes
At the beginning of the year, I thought this would be just another one of those pointless prequels with a ridiculous title that would tank at the box office. Boy, I was wrong. Turns out that Rise of the Planet of the Apes was the greatest blockbuster of 2011, with one of the greatest moments of the year. Caesar is the coolest ape ever, and possibly one of the only 'heroes' from the movies that I didn't have trouble getting behind. Hopefully Andy Serkis does get an Oscar nomination, because his work is ground-breaking...and it's time Hollywood had a shake-up.

6. Incendies
A nominee for Best Foreign Film at this year's Oscars, Incendies is a Canadian film that doesn't shy away from much, and knows exactly how to smack the audience in the face. People who have seen the film will know what I'm talking about...the twist in this film will literally make you feel like someone just punched you in the face. This is an expertly crafted, beautifully shot, completely involving film which takes you to all sorts of places, including hell and back. If you haven't seen this film, then what are you waiting for? It's a hard hitting drama in every sense of the word.

5. Certified Copy
A collection of conversations (and you should know how much I love to see conversations on film) between Juliette Binoche and William Shimell were surprisingly quite enjoyable to me. Abbas Kiarostami's multi-lingual drama is one that makes you question all sorts of things, including and especially the relationship between the two strangers...or were they really strangers? So many questions that this movie asks, and while it doesn't really answer all of them, it is still beautiful to watch.

4. The Tree of Life
My tastes really have changed this year. If you showed me Terrence Malick's ultra-polarizing film last year, I would have really disliked it. But I rolled up to the cinemas, and while I was baffled, I was more intrigued than I had ever been before. Now I have the film on Blu-Ray, I've realised just what a marvel it is, but I don't think I could ever give it a proper rating. I know that a lot of people hate this movie, and a lot more people hate the people who like it. I'm sorry, but I just really liked it, for all of it's pretty pictures and the amount of reading-between-the-lines that it required. A magnificent piece of cinema, no doubt about it.

3. Hesher
While this is technically a 2010 flick, this film took a while to make it to the general public. I was pretty happy that I finally got to see it when it hit DVD back in September. Joseph Gordon-Levitt plays the titular Hesher, who is a loner that doesn't care about much in the world, but he can help a few people along. Filled with charming indie moments, plenty of funnies and enough heartbreak to go 'round, Hesher is delightfully original and even charmingly offensive. JGL gives a bloody terrific performance, too. If only more people had the chance to see this one...

2. Midnight in Paris
I have never been a huge fan of either Owen Wilson or Woody Allen, but Midnight in Paris is an absolute delight to watch. It's impossible not to love - as Wilson is transported to 1920's Paris and meets such icons as Hemingway, Fitzgerald and Dali, my eyes were having a mad love affair with the screen. I really can't say how much I love this film. It is just pure magic, from beginning to end. There were only two things that I didn't like about it: that it had to end and that Paris is so far away!

1. Senna
Isn't it weird how I have a documentary about Formula One as my number one for the year? But seriously, Senna is a masterpiece. The editing in this movie is probably the best I have ever seen, as I imagine that it isn't easy to edit down a whole lot of archive footage into something that closely resembles a normal narrative. And I must say, considering I didn't know that much about Ayrton Senna before watching the movie, and I was bawling my eyes out at the end, this movie really was something special. It was just wonderful.

So, what do you think of my list? What are your favourite movies of 2011?

And before I go, I'd just like to wish you all a Merry Christmas. I'll be taking a couple of days off to enjoy Christmas and Boxing Day. As for you all, thanks for all of the support this year - it's greatly appreciated! I hope you all have a great day...eat and drink to your heart's content, and be happy!

"Fear is exciting for me."

Film: Senna
Year: 2011
Director: Asif Kapadia
Written by: Manish Pandey
Starring: Ayrton Senna, Alain Prost, Frank Williams, Ron Dennis, Viviane Senna, Milton de Silva, Neide Senna, Jackie Stewart, Sid Watkins.
Running time: 106 min.


If, for some reason, you think that you shouldn't watch Senna because it doesn't look like it'll interest you, let me tell you my story. I have never taken an interest in Formula One. I really dislike watching documentaries. I had never heard of Ayrton Senna before in my life. And guess what? Senna is my favourite movie of the year. You should have seen me at the end...I was crying more than I cried at the end of Toy Story 3. And this is a documentary of Formula One that we are talking about. So if you pass this movie by at the DVD store simply because you're not interested, then I've got news for you, my friend. I wasn't supposed to like this movie, but I loved it. Actually, love is a bit of an understatement.