Every year, we get a set of Oscar nominations and there's always something to complain about. This year might just be a prime example of that. I did
this post at the same time last year, so I figured I could do it again. So here are the snubs in top 10 order, the way I see them...
10. Best Original Score: The Chemical Brothers - Hanna
I may not have been the biggest fan of
Hanna, but that score has been on replay on my iPod ever since I bought it in October. It is filled with so many strange sounds that take you to this fantastical place worlds away from here. It really is an out of this world score. Perhaps it is the absence of violins or other orchestral instruments that don't make it an obvious choice, but it was truly the best thing I'd heard since
The Social Network's score. And how about 'Container Park'? That song makes me wish I was chasing down some evil people and beating the crap out of them. But then I've got to remember that I'm walking down the main street of Dannevirke.
9. Best Original Screenplay: Mike Mills - Beginners
I must admit, while I liked
Beginners, I wasn't the hugest fan of it when I first saw it. Then I bought the DVD and I was completely taken away with it. While the performances at the front are all brilliant (it is so sad that Ewan McGregor is going unnoticed for his work), it is the somewhat personal script by writer/director Mike Mills shines through. It is raw and realistic - in many ways, what
The Descendants ultimately failed to do for me. I particularly loved the "this is what .... looks like", and the fractured timeline. Not to mention the dialogue that Arthur got!
8. Best Animated Feature: The Adventures of Tintin
Don't quote me, but I thought that
The Adventures of Tintin was all cleared to be eligible for this award. And hey, motion capture is the way of the future, so why wouldn't this be eligible? It may not have been perfect, but it was a bloody fun ride and I'd definitely pick this over
Puss in Boots any day. The snub hurts...and it particularly hurts NZ, too. While everyone was crying foul over the more obvious snubs like Fassy, every news program in NZ kept going on about the
Tintin snub. It's okay, we in NZ are used to being pushed aside and forgotten...
7. Best Picture: Harry Potter and the Deathly Hallows Part II
There were many deserving films that missed out on a Best Picture nomination -
Drive, Tinker Tailor Soldier Spy, The Girl with the Dragon Tattoo etc etc etc, but no snub hurts as bad as
Harry Potter and the Deathly Hallows Part II. Say what you will about the series, but there have been some great films that have come out of it and they sure have a huge fanbase. This film was particularly good, becoming the highest grossing film of the year and one of the most critically acclaimed, too. But the reason that this film should have been nominated is the fact that it is literally the end of an era. The Harry Potter films have had their fair share of technical nominations, but this was the last chance it ever had to be nominated for something more. It seems like such a waste and a little offensive that they wouldn't give this last film an award that the series genuinely deserved. Oh well, the Academy are going to regret it in a few years.
6. Best Original Score: Trent Reznor & Atticus Ross - The Girl with the Dragon Tattoo
Sure, they may have won last year and sure, this score isn't as good as
The Social Network's, but their just about three hour long score is a beast. Literally. Starting with a cover of 'Immigrant Song' and ending with a brilliant vocal song called 'Is Your Love Strong Enough?', with plenty of dark ambient tones in between, this has the power to be at times either relaxing or terrifying. In some of the songs, I feel like I should be wearing a leather jacket and chasing after an Enya enthusiast, and in others, I feel like walking around like a badass. But just like
The Social Network, the soundtrack makes me feel like a total badass when I'm typing. I definitely would have shafted both of the John Williams scores for this one and
Hanna. Because with the
War Horse one, if I played that whilst walking across a lush green field I wouldn't feel like a badass.
5. Best Actress: Kirsten Dunst - Melancholia
It is a little weird to think that
Melancholia didn't get any Oscar recognition (but I think Lars von Trier kinda ruined that for himself), because it did deserve it. Especially deserving was Kirsten Dunst, who delivered my second favourite female performance of the year (the first being Rooney Mara, say what you will, she was amazing) as the depressive Justine who is out to destroy herself and everyone around her. Considering that Dunst went through a similar type of depression not so long ago, you have to praise her for revisiting what was probably a horrible time in her life in crippling fashion. Her performance was absolutely heart-breaking while making me hate her because of her nihilistic views of the world and how she ruins everything. I thought that her Cannes win would have given her some momentum, but alas, a truly great performance is forgotten in favour of mimicry from Meryl Streep.
4. Best Actor: Michael Fassbender - Shame
No, I haven't seen
Shame. But I know enough. Michael Fassbender should have been nominated, goddamit. What pisses me off the most about this snub though, is the reason that an Academy voter gave to the LA Times: "He's a guy who's unfamiliar to a lot of people and did a movie that's really intimate. That was a super-brave performance but…perhaps it inspired people to fantasize, and not actually vote." All I have to say is fuck you. That is a bullshit excuse for not voting someone in. You're just too scared to nominate something so explicit and you're jealous because Michael Fassbender's penis is bigger than yours. Assholes.
3. Best Supporting Actor: Alan Rickman - Harry Potter and the Deathly Hallows Part II
I would have loved to have seen either Ralph Fiennes or Alan Rickman nominated for their brilliant work in the
Harry Potter movies, but if we were going for just this one film, Alan Rickman deserved some recognition. He was one of the only actors who found consistency in his character right throughout the series. But it is in this particular film where he is given his time to shine (somewhat briefly, though), and he is absolutely heart-breaking. He is beyond amazing as Severus Snape that it makes me wonder why, in such a weak field, he didn't come forth as a proper competitor. Rickman's voice gives me the chills, too.
2. Best Director: Nicolas Winding Refn - Drive
Give Refn a few years and a few more films like
Drive, and I think he'll emerge as one of the best modern directors. Before
Drive I saw
Bronson, which I really disliked, but I LOVED his directorial style. With
Drive, this is more of a Hollywood film with half of the budget, and he delivers with style. Calm, fresh style. The car chases aren't edited to incomprehensibility, and the really violent scenes are directed in slow-mo so they get under your skin. Add in the hand-picked 80s style soundtrack and you have so much badassery it is criminal. I look forward to what Refn has in store for us...he is awesome.
1. Best Editing: Senna
Okay, so it was never going to happen. And I'm still fuming that it didn't make to the Best Documentary shortlist. But let's look at it this way: the films nominated had a few hours of footage to edit into the story from the screenplay and add a bit of style. And for all we know, they did that well.
Senna, however? That had footage from a man's entire LIFE to edit down. What it got edited down to was something pretty close to a normal looking narrative, and it doesn't even use interviews from the present day, just archival footage. It features some of the most phenomenal editing I've ever seen, and it would run rings around any of the other films and their editing released in 2011.
What are your Oscar fails of 2012?
