Tuesday, October 21, 2014
So here we are, at the five year anniversary of this little corner of the web. It is weird to think of this time five years ago where I would have been furiously tapping away at the big keys of my Dad's desktop PC to create my paragraph-long thinkpiece on Let the Right One In. Okay, so thinkpiece is a loose term for this very vague review. The ironic thing is, I wrote that review in my first year of high school. Just recently, I wrote an essay on the same film for my first year of university (which got an A, so apparently I'm smart). So why's this important?
Usually, I'd have some post to celebrate an anniversary with all of these thank yous and lists of movies that have meant a lot during the years. And believe me, I've thought about this five year anniversary and what I'd do for it for the last couple of years. But I've said it before, and I'll say it again: this blog has been a great way to track the way I've grown up. Through my changing movie tastes (hello not watching Hannah Montana: The Movie for 'fun') to the way my writing has developed to how my life went through all of these strange milestones. It was great for those formative high school years, figuring out all those weird questions of "who am I, what am I doing, what will I choose as my career when I can't even decide to have for breakfast this morning?"
Admittedly, this year has been a strange one where everything has changed in so many ways. Gone are the days of having to go 45 minutes to get to a cinema and instead I've been to the cinemas 37 times this year (so almost once a week). I've gone from only ever living in three different houses in my life to living in four different places in one year. I've learnt about the perils of referencing (can't we all just use one referencing style instead of jamming MLA, Harvard, APA and Chicago into one semester?!), how to put up with constant abuse from the engineers about the fact that my Arts degree 'will not get me a job', the weird feeling of being in a relationship with someone who is too good to be true. So while my blog has been the perfect thing through a whole lot of transitions, it hasn't been all that present this year as I've been making some of the biggest transitions in my life.
And believe me, it isn't like I haven't tried. I've written so many drafts for posts and just got to the point where it no longer makes sense, so I delete it. I would love to throw my hat into the rather expansive ring of thinkpieces about Gone Girl, but a) I'd just be fangirling over how perfect Rosamund Pike was and how David Fincher's direction was ON POINT, b) I'm still feeling guilty over dragging my boyfriend to see it twice and c) there's so much discussion on it, where do I even begin? I would love to tell y'all about how my life did not turn out like Before Sunrise or The Spectacular Now (actually, it kinda did...). I would love to write another post on how much I love Shame or how much I want Interstellar to be in my life right now or how much The Equalizer rubbed me up the wrong way.
Problem is, I don't. I'll always look back to posts I wrote in 2011/2012 and most likely think "damn, I was such a good writer, what happened?" Thing is, I'm not the same person I was back then. The blogging world is not the same sanctuary it was then. I used to be very clear about what I wanted this blog to be like when I wasn't so sure of what I wanted to do with my own life. I've kinda lost that now.
This makes it sound like I will finally cut the cords on this wee high school project, but that's something I don't really wish to do. Especially considering my degree is really all about writing and I'm happiest when I'm writing, this is a good little haven to come back to. It just might be that I'm ready to take a new direction and stop wishing that I could be at the same stage of blogging that I have been through the past five years. Yes, it is a great thing that I have an online record of how much I've changed throughout the years. And yes, it is a great thing that I managed to (loosely) keep up with it for five whole years. So even though this seems like I'm moving on, let's just see it as moving forward.
(allow for soppy story to ensue)
Through going to the cinemas so many times this year, it has easily become my absolute favourite thing to do. I admit to still looking up at the light coming from the projector like I used to do as a kid, loving the waft of buttery popcorn smell you get as you come up the escalator, and being so comfortable in the warmth of the glow from the screen. I've seen some bad films this year, and I've seen some great ones (behold the wonder that is Boyhood), but no matter what film it is, I always love this stuff. Especially having someone to share it with now. And something that I've found while being at university is that passion does matter and passion is the only thing that'll get you through. So of course, I'd hate to lose this little corner of the internet that allows to me to express my passion. I've been kind of awful at it in the last few months, and I may continue to be awful at it, but I'll still be here in some small way.
So finally, I'd like to thank the people who have come and gone or stayed at some stage through the past five years. It has been a great time growing up with you guys, and I look forward to sharing some more thinklings and discussions with you.
And if I don't, someone just kick me up the butt for some encouragement, huh?
Thursday, August 21, 2014
|This is a really dark birthday candle picture but I think it's pretty and there's no 19th birthday photos anyway|
Seriously, it sucks having to draw my attention away from the kids menu at restaurants because I'm an adult so I have to get steak.
In my thinking, though, I came to the realisation that even though 19 isn't a particularly special milestone age, this is the first birthday in my "new life", you could say. Gone are the days of growing up in a small town, since now I've lived in Christchurch for over six months and passed my first semester of university. I no longer have to go grocery shopping with mum but I can buy chocolate whenever I want which is honestly the best part of growing up. Oh, and did I mention that I have a cinema five minutes bus ride away, with three others within a half an hour radius? If that's not cool, then I don't know what is.
In a way, 19 is a pretty important age to be. Whereas 18 is the age where you get slapped with the label "grown up", whether you're ready or not, by the time you're 19 you've done a spectacular amount of growing up. Well, I guess that's just how I feel now since a lot has changed since I turned 18 (I say this every year, but I could probably say now that just about every aspect of my life is so different from what it was last year). In celebration of that fact, here's a whole lot of films that taught me a bit about growing up while I was growing up. Don't expect John Hughes films (don't get me wrong, they had their influence), but more a bunch of films that came out at vital times in my life and gave me a bit of perspective. And yeah, things get mushy.
An Education - Earlier this year I outlined my intense love for this film, mainly because it shows the struggles of living up to unreasonable expectations in every way possible. I've always found myself to be a little bit of a Jenny, trying my best to do things that I don't really care for, working hard but hoping that there'll be a little bit of fun around the corner, and maybe being a little too 'pretentious' for my age (now I'm grown up and living with a whole lot of engineers, I'm just known as the weird Arts degree student). Just as the title suggests, it has always been a film that I go back to get an education, whether it be about getting a "real" education or an education from "the university of life".
Wednesday, August 20, 2014
Good things about going to university: having a cinema about five minutes away instead of 45 minutes away. Bad things about university: everything had to be due on the week when the New Zealand International Film Festival hit town, but through some pretty intense time management skills gained last year I managed to get everything done while escaping to the cinemas on four different occasions. Which, of course, is better than having to very selectively choose one film to beg my parents to drive me over for. Still, some pretty selective choosing went on here and I ended up seeing a very interesting selection of films: Frank, Locke, Maps to the Stars and Boyhood. I won't bore you with too many more details, so here's what I thought about them here:
I must admit, it has been a little while since a film really 'clicked' for me. Not really a fault of all the films I've been watching, it has just been a little hard for me to really escape into a film. Frank was the one that changed it all, though. To be honest, I thought it was going to be a little jarring watching a film where Michael Fassbender has a giant head over his head, but it really didn't take anything way from his performance. He was so fascinating to watch, particularly in the film's final act. However, you can tell that he really let himself go when he was wearing the mask, owning his craziness which fit in perfectly with the way the film unfolds.
The film zips and zaps from one extreme to the other with dizzying speed, becoming one of the darkest comedies I've seen in quite some time. It is made of all the tropes that would make your typical band road movie, but it is also a pretty interesting look at the connection between creativity and madness. While many have called out the fact that having the film centred on plain, wannabe musician Jon (played by the charming Domhall Gleeson who should probably be in everything), I thought it was a great way of grounding the material and always keeping the film in check. It isn't just Frank who is the eccentric one - his entire band is filled up with some pretty crazy characters who don't seem to be filtered. Jon provides a lens for keeping the film centred, and also, his reliance on social media is one of the better depictions I've seen of the internet in film (not sure why, but everyone always manages to get it wrong).
Basically, I had a really good time with Frank. It was so dark in some places, so light in other places, and just generally a pretty strange film that wore its heart on its sleeve. And again: Michael Fassbender is everything. Best performance from him I've seen this side of Shame, I'd say.
Thursday, July 31, 2014
Few spoilers in this post, but I imagine most of you should have seen it back in 2011. If you haven't, grab the tissues and come back later.
Did you know that the most fun thing you can do on a Sunday afternoon before you go to work is rewatch Blue Valentine and spend a good 20 minutes crying over it?
Didn't know that valuable information? Well I can 100% confirm that while rewatching Blue Valentine may not be the most happy experience, it is an experience nonetheless.
A little bit of context: I first watched Blue Valentine when it first came out on DVD in July 2011, when I was a tiny 15 year old enjoying the last days of illegally watching R16s. I have not been able to go back to it since. Until there came a Sunday when I thought: "I've got a couple of hours to kill, let's watch the most depressing film in my collection this side of Revolutionary Road."
Apparently I didn't really remember the magnitude of absolute earth-shattering devastation that this film brought to my world. Or I was watching it with different eyes when I was 15. But holy heck is this film depressing.
One thing that really took me by surprise this time around was the way Derek Cianfrance loves playing with his narratives. One of my favourite films from last year was his sophomore effort The Place Beyond the Pines. Here was a film that easily could have been split into three parts, yet he expanded his narrative beyond what he could have. He didn't only show the cause, but also showed the effect. I talk about this a lot more in my review of the film from last year, but to put it simply: I really admire Cianfrance's ambition. We're too often brushing simple narrative ambition under the rug for the more complex, confusing narratives drawing in a plethora of realms (however, that does make for some damn good cinema when it's done right).
Wednesday, May 28, 2014
So, here it is. 2013 was a damn good year for films if I do say so myself. It was hard reducing this list down to just 20, because any one of my honourable mentions would have had a welcome place in my list. 2013 had some game-changers (in more ways than one), some rule-breakers, and some life-changers. There were plenty of films that came out that you could just tell would live on into the future. We had Alfonso Cuaron defying the restrictions of cinema, Spike Jonze defeating every other portrayal of love in cinematic history, and Leonardo DiCaprio destroying any notion that he's not a proper actor with a singular Quaalude-induced scene. What a time to be alive.
Alas, let's close the book on 2013 before we close the book on May 2014. Because there's no time like the present...
Honourable Mentions: Spring Breakers, What Maisie Knew, Pain & Gain, The Bling Ring, This is the End, Fruitvale Station, Don Jon, Rush, Dallas Buyers Club, Drinking Buddies, Inside Llewyn Davis, Philomena, The Hunger Games: Catching Fire, Frozen.
"Every thing you do, someone out there can see."Here's one of these films that slips so far under the radar that it is pretty much criminal. This film should be taught in schools. Sure, it gets extremely melodramatic in some places, but the general message behind it is about the only message we've desperately needed a film to cover. Not to mention it has some fantastic performances from Andrea Riseborough, Jason Bateman, Jonah Bobo, Alexander Skarsgard and Paula Patton. Very, very impressive.
"I think anybody who falls in love is a freak. It's a crazy thing to do. It's kind of like a form of socially acceptable insanity."Just as Disconnect shows the dangers of the internet, Her shows the good things it could be capable of in the future...which is also doubled with the bad. This isn't really a film about a guy falling in love with his computer, but about love itself. As I said in my director's post, it was a damn brave film for Spike Jonze to make, and possibly one of the more realistic portrayals of love on film in recent times. Oh, and Scarlett Johansson. That's all.