Showing posts with label Gary Oldman. Show all posts
Showing posts with label Gary Oldman. Show all posts

Saturday, July 28, 2012

My 10 Favourite Male Performances of 2011.

After checking out my favourite directors and ladies of 2011, it is time to look at the lovely men that impressed me on screen. Tomorrow, it'll be time to unveil my favourite films of 2011 - finally! However, back to the men of 2011: wasn't last year really a 'year for actors'? There were so many great performances that it made it hard for me to cut my list down to ten. Hence the fact that I have a rather long list of honourable mentions, who in a perfect world, would have all been in my top ten. Seriously, all of them just missed out on a place.

Honourable mentions: Ezra Miller - We Need to Talk About Kevin, Max von Sydow - Extremely Loud and Incredibly Close, Ewan McGregor - Beginners, Christopher Plummer - Beginners, Colin Firth - Tinker Tailor Soldier Spy, Mark Strong - Tinker Tailor Soldier Spy, Tom Hardy - Warrior, Joel Edgerton - Warrior, Patton Oswalt - Young Adult, Leonardo DiCaprio - J. Edgar, Rhys Ifans - Anonymous, Antonio Banderas - The Skin I Live In, Ben Kingsley - Hugo, Ralph Fiennes - Harry Potter and the Deathly Hallows Part 2, Kenneth Branagh - My Week with Marilyn, Ryan Gosling - The Ides of March, Ryan Gosling - Drive, Albert Brooks - Drive, Jonah Hill - Moneyball, John Hawkes - Martha Marcy May Marlene, Peyman Moadi - A Separation, Andy Serkis - Rise of the Planet of the Apes, Hunter McCracken - The Tree of Life, Brad Pitt - The Tree of Life, Michael Fassbender - X-Men: First Class, Adrien Brody - Midnight in Paris, Corey Stoll - Midnight in Paris, Tom Hiddleston - Thor, Anton Yelchin - Like Crazy, Matthew McConaughey - The Lincoln Lawyer, Michael Fassbender - Jane Eyre, Christian McKay - I Melt with You, Peter Mullan - Tyrannosaur, Paul Rudd - Our Idiot Brother, Joseph Gordon-Levitt - Hesher.

10. Michael Shannon as Curtis LaForche in Take Shelter.


Michael Shannon has always been a great actor who has taken supporting roles and stolen the entire film within a few minutes. Revolutionary Road was a classic example of that. In Take Shelter, Shannon gets the lead role, and totally rocks the entire film. Curtis is a rather difficult character who is on the cusp of madness, constantly trying to make everyone believe that there's an apocalypse coming. Shannon's performance is a study of paranoia, instability and weakness. If it hadn't been Shannon playing him, I doubt that I would have felt so connected to Curtis. Instead of viewing his actions as irrational, I definitely felt as if I should get a shovel and pitch in with his plans.
Key scene: "There's a storm coming!"

Saturday, July 21, 2012

A Firey End to an Epic Trilogy.

Film: The Dark Knight Rises
Year: 2012
Director: Christopher Nolan
Written by: Christopher Nolan and Jonathan Nolan
Starring: Christian Bale, Tom Hardy, Anne Hathaway, Michael Caine, Gary Oldman, Morgan Freeman, Marion Cotillard, Joseph Gordon-Levitt, Liam Neeson, Cillian Murphy, Juno Temple.
Running time: 164 min.

Let me be straight-forward from the start: The Dark Knight Rises is the biggest film-event of my life so far. Sure, I've only had 16 years for films to compete for that title, but this film takes the cake by a long shot. That is not to say that The Dark Knight Rises is my favourite film ever. I honestly don't think it will have the mass effect that The Dark Knight had, with it making it's way to the top of IMDb's top 250 or anything like that. Simply put, The Dark Knight Rises isn't as good as The Dark Knight. But there's no denying that this is a grand-scale finish to what is probably the best trilogy of films that I have ever seen. The only problem that I have is that now the trilogy is all over. I guess that I can now properly understand how all of those Harry Potter fans felt when their series came to a close this time last year. Even though Christopher Nolan's Batman franchise and I didn't get off to the most conventional start, I can't help but feel a little nostalgic over the way The Dark Knight changed my perception of films when I was just about to leave primary school. Now I'm nearly on the precipice of leaving high school, The Dark Knight Rises has come along and reminded me of why I love Nolan's take on Batman, why I love Nolan's films in general, and why I love going to the cinemas. However, Nolan's closing the door on his Batman, even though he's leaving the door somewhat open for someone else to pick it up. Which I hope isn't the case, because I don't think anyone can do the superhero genre better than Nolan. Hell, this guy invented his own genre.

Wednesday, May 16, 2012

Nothing is What it Seems.

Film: Tinker Tailor Soldier Spy
Year: 2011
Director: Tomas Alfredson
Written by: Bridget O'Connor and Peter Straughan, based on the book 'Tinker Tailor Soldier Spy' by John le Carré.
Starring: Gary Oldman, Benedict Cumberbatch, John Hurt, Mark Strong, Toby Jones, Ciaran Hinds, Colin Firth, Tom Hardy, David Dencik, Simon McBurney.
Running time: 127 min.

In my English class at the moment we're doing a film study on The Shawshank Redemption. As much as I love the movie, the analysing of all the shots, lighting, sound blah blah blah is driving me nuts (it is interesting, but seeing the opening scene seven times is not my idea of fun). As I sat down to watch Tinker Tailor Soldier Spy around three hours after I left my English class, I still had the whispers about camera techniques and the like bouncing around my head. And while I was watching Tomas Alfredson's first English film, I couldn't help but notice that he turned everything that I had been told in my English class upside down. The thing with The Shawshank Redemption is that the symbolism is always right in your face, directing everyone's line of thought in the exact same direction. Tinker Tailor is nothing like that. This is the spy world, remember, so nothing is ever what it seems. Tomas Alfredson realises that, and makes it in the most subtle - yet detailed - way that he possibly could. This is a film that would be hard to teach at schools.

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