Showing posts with label Shailene Woodley. Show all posts
Showing posts with label Shailene Woodley. Show all posts

Monday, May 5, 2014

Late-Ish 2013 Retrospective: Top 15 Female Performances


If you've been following ze blog for a few years, you know that I don't deal well with watching movies from the year before until we're halfway through the next year. Hence my top lists of 2011 happening in July 2012 and my top lists of 2012 happening in August 2013. However, this year has been kinda different: I spent a lot more time watching good stuff (because I had so little time I didn't want to waste it) and I moved to a place with a cinema three months ago which meant I could catch up with a lot more. I haven't seen films like Nebraska, Saving Mr Banks or August: Osage County, but I'm pretty confident with the lists I have at the moment. So over the next few days/weeks/whenever I sit down at my laptop and actually blog for once, I'll be unleashing my top lists of 2013, beginning with my Top 15 Female Performances. Usually I don't go for 15 in the list, but there was so much goodness in 2013 that I didn't want anyone to miss out. People still missed out though. Which sucks, but hey, yay for cinema! 

Honourable mentions: Berenice Bejo - The Past, Amy Adams - Her, Amy Adams - American Hustle, Jennifer Lawrence - The Hunger Games: Catching Fire, Jena Malone - The Hunger Games: Catching Fire, Judi Dench - Philomena, Sarah Paulson - 12 Years a Slave, Carey Mulligan - Inside Llewyn Davis, Brie Larson - The Spectacular Now, Olivia Wilde - Drinking Buddies, Lake Bell - In a World..., Amanda Seyfried - Lovelace, Scarlett Johansson - Don Jon, Melonie Diaz - Fruitvale Station, Octavia Spencer - Fruitvale Station, Onata Aprile - What Maisie Knew, Greta Gerwig - Frances Ha.



15. Andrea Riseborough as Nina Dunham in Disconnect
Disconnect is one of those films that works well mostly on the basis of the solid acting from an ensemble cast that includes Jason Bateman, Paula Patton, Alexander Skarsgard and Michael Nyqvist, but no one stands out as much as Andrea Riseborough. I've long been a fan of Andrea's work since her brief role in the oft-forgotten Never Let Me Go, and she's pulled in some great work since in otherwise dull films like W.E. and Shadow Dancer. In Disconnect, though, she plays the part of an over-ambitious news reporter terrifyingly well, with the role fitting into her oeuvre perfectly - does she have one of the most underrated filmographies ever? She literally walks into this film and lights up the screen, even as her character goes through some pretty dark stuff. And yet, even as it becomes apparent that perhaps her character's storyline isn't the most exciting in the multi-stranded plot, she makes the plot last until the very end. Seriously, someone needs to line her and Rosamund Pike up and get them some great roles.


14. Sally Hawkins as Ginger in Blue Jasmine
Another ever-dependable performer, and definitely someone who turns a relatively thin role into a layered, beautiful performance. Blue Jasmine works on the merits of its pairing of Cate Blanchett and Sally Hawkins, who compliment each other in a way that I couldn't imagine any other actresses doing a better job of. Ginger is fiery, flighty, the exact opposite to Jasmine, and Sally is able to nail every single thing about the character that makes her different from Jasmine.

Thursday, January 19, 2012

Do They Think We're Immune to Life?


Film: The Descendants
Year: 2011
Director: Alexander Payne
Written by: Alexander Payne, Nat Faxon, Jim Rash
Starring: George Clooney, Shailene Woodley, Amara Miller, Nick Krause, Patricia Hastie, Beau Bridges, Judy Greer, Matthew Lillard.
Running time: 115 min.
This is out in New Zealand cinemas on January 26th.

One of the things I don't like about awards season is that there are films that are big hits, getting lots of nominations and stuff and becoming everyone's favourite movie. Then awards season ends, and those movies are forgotten about. The Descendants is one that I feel will become that way. It is getting a lot of buzz, even winning the Best Motion Picture - Drama award at the Golden Globes and numerous accolades for the lead, George Clooney. Yet, while everyone is quick to shower love upon this movie, I am a little more hesitant. Maybe it is because I haven't seen an Alexander Payne movie before, so I'm unfamiliar with his 'easy breezy style' of making movies. The thing is, I just don't know why this movie didn't do anything for me. I might be unpopular in the blogosphere - but this is what the lady sitting next to me said as soon as it finished: "that was so overrated. If George Clooney gets the Oscar this year, it will be such a disappointment. Now Ryan Gosling was fantastic, he should definitely win. He was way better in his movie." I was going to intervene and give her a lecture on how the Gos is unfortunately going to miss out this year because of all of the competition, but I said the exact same thing to my Dad (minus the Gos part). Which made me feel bad, but since I'd just watched a movie that lives and breathes honesty as a way of combating lies (and maybe all feeling), it only felt fitting.


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