The holidays have ended and I'm back at school, but with all that spare time - that I'll no longer have - I watched a whole lot of underrated gems (I saw a couple of these movies way back at the start of December). So in alphabetical order, I'll serve up a few words on Richard Linklater's Bernie, Ralph Fiennes' Coriolanus, Tony Kaye's Detachment, Lee Tamahori's The Devil's Double, David Ayer's End of Watch, and Amy Heckerling's Vamps.
Bernie (2011) / US / Out on DVD now / Directed by Richard Linklater / Written by Richard Linklater and Skip Hollandsworth / Starring Jack Black, Shirley MacLaine, Matthew McConaughey, Brady Coleman / 104 mins
I've already said a lot about Jack Black's performance as convicted murderer with a heart of gold, Bernie Tiede. And there won't be a point for a very long time where I don't champion that performance. Everything just clicks, and usually Black annoys the heck out of me. The movie itself is just wonderful - and I saw it twice in the holidays. I wouldn't say I'm an expert on Richard Linklater's films, but I feel like he is one of the best working directors and no one really realises it. He's just so consistent in his work. This film, all about the Bernie Tiede case where he kills a woman he's been living with (Shirley MacLaine) coz he's had it with her, is mostly told mockumentary style, with real people who were around during the whole ordeal relaying the events for the camera. It feels so real, in a bizarrely unreal way. To be honest, this is the Matthew McConaughey performance from 2012 that I have no trouble going back to again and again. I mean, who really wants to brave Killer Joe a second time? And yeah, Magic Mike wasn't my favourite.
Why see it? The performances. And it is damn entertaining.
Showing posts with label Adrien Brody. Show all posts
Showing posts with label Adrien Brody. Show all posts
Wednesday, January 30, 2013
Sunday, April 1, 2012
Underrated Supporting Performances of 2011
I'm still a good few months away from releasing my official list of favourite 2011 films (I still need to see The Artist, Shame, 50/50, Tinker Tailor Soldier Spy etc etc etc), but I may as well start getting nostalgic now. I was watching Melancholia last weekend and I was thinking about how underrated everyone's performances were in that particular movie. Which prompted me to look back at all of the performances that were severely underrated for some reason or another. So instead of showcasing one underrated film, let me showcase ten underrated supporting performances in 2011, ranked...
10. Hayley Atwell in Captain America: The First Avenger.
Chances are that I won't have too many people queueing up to agree with me - this is a choice that comes straight from an extremely mainstream blockbuster. However, I've always been a fan of Hayley Atwell, and I found her to be the most awesome thing about an already awesome movie. While her character may be written as a typical tough girl, Atwell brings her an edge that makes her the perfect companion to Cap - actually, she seems a lot stronger inside than he is. If only she could somehow not age and go on that date with Cap in The Avengers...that would make me happy.
Sunday, October 23, 2011
"You're in love with a fantasy."
Film: Midnight in Paris
Year: 2011
Writer/Director: Woody Allen
Starring: Owen Wilson, Rachel McAdams, Marion Cotillard, Kurt Fuller, Mimi Kennedy, Michael Sheen, Nina Arianda, Carla Bruni, Alison Pill, Corey Stoll, Tom Hiddleston, Kathy Bates, Adrien Brody, Léa Seydoux.
Running time: 94 min.
NOTE: This probably has spoilers in it. But by now you should have seen the film, really. If you haven't, I suggest you do straight away.
Let's face it: all of us, at one point or another, have wished that we were born in another era. I myself would have loved to have been around during the transition from silent to sound cinema, living in Hollywood. Gil Pender (Owen Wilson), Woody Allen's latest hero, wishes that he was around in 1920's Paris. While he accepts that he could never go there, he seems intent on creating a life for him and his fiancée Inez (Rachel McAdams) similar to his dream, and insists that they should stay in Paris forever, where they're currently on holiday. Gil is in love with this city, and decides to take a stroll at midnight. He is picked up by a 1920's style car, and transported to the world he has dreamed of. Along his journey he meets people like Scott and Zelda Fitzgerald (Tom Hiddleston and Alison Pill), Ernest Hemingway (Corey Stoll) and Salvador Dalí (Adrien Brody), who all help inspire him while he is writing a novel. Gil goes back to this place every night at midnight, and ends up falling in love with Adriana (Marion Cotillard), who wishes that she was around during the La Belle Époque, which she thinks is the Golden Age of Hollywood, as opposed to 1920's Paris.
Thursday, August 11, 2011
16 Days of Birthday, Day 5: My Favourite Male Performances
You know me, I consider myself a bit of an actress. Okay, maybe not. Yes, I take drama as one of my subjects, and it is definitely my favourite part of the day (I don't have it on my birthday though, which sucks balls). Yeah, I've been in a few shows, but that was just for fun. Do you know what's weird though? Is that I used to think that acting was just reading lines. Like, I didn't understand why everyone said it was so hard and stuff. Once I actually got into the acting myself, I learnt that acting was more than just reading lines. Also, I started to realise just how good some performances are...
So tonight, I'll be taking a look at my favourite performances from actors of the male species. First of all, I have 20 performances which I really liked/thought were scene-stealing, but aren't necessarily the big daddies of performances (in alphabetical order). Then I'll count down my five favourite performances. My favourite performances.
Performances in which I liked:
So tonight, I'll be taking a look at my favourite performances from actors of the male species. First of all, I have 20 performances which I really liked/thought were scene-stealing, but aren't necessarily the big daddies of performances (in alphabetical order). Then I'll count down my five favourite performances. My favourite performances.
Performances in which I liked:
Christian Bale in American Psycho
Humphrey Bogart in Casablanca
Marlon Brando in A Streetcar Named Desire
Sharlto Copely in District 9
Tom Cruise in Magnolia
Hugh Dancy in Adam
Jesse Eisenberg in The Social Network
Colin Firth in A Single Man
Cary Grant in His Girl Friday
Tom Hanks in Forrest Gump
Cillian Murphy in Breakfast on Pluto
Liam Neeson in Schindler's List
Paul Newman in Cat on a Hot Tin Roof
Guy Pearce in Memento
Brad Pitt in Fight Club
Jeremy Renner in The Hurt Locker
James Stewart in It's A Wonderful Life
Mark Strong in Kick-Ass
Christoph Waltz in Inglourious Basterds
Right, now time for my five favourite male performances...
5. Adrien Brody in The Pianist
Of course, I only watched this movie recently, but that doesn't really change much. I can't believe that so many people were doubting his win at the Oscars. To quote my very own review of the movie: "Brody, who I imagine hadn't been in such a weakened state in his life before, is just so goddamn believable it hurts to watch him. And trust me, I felt his performance in my bones. I don't think a performance has ever had that effect on me before." Yeah, and that's all I have to say about that.
4. Leonardo DiCaprio in What's Eating Gilbert Grape
Many times before, I may have said that my favourite Leo performance was in The Aviator. But no, I've come to realise that his performance in What's Eating Gilbert Grape is definitely it's best. Half for the fact that every time I think of him in this film, I find it hard to believe that he's the same guy that has since been in such films as Titanic, The Departed and Inception. However, in the other half, I love his performance in this because he completely transformed himself into his character and he still seemed to be having a lot of fun. I really like performances of characters who are mentally challenged...and this one is the best.
3. Heath Ledger in The Dark Knight
This performance never fails to blow my mind. How someone could possibly involve themselves in a mindset that is so crazy, so villainous and so outrageously colourful is beyond me. Heath had his characterisation right down to the last little feature...every facet of his performance was so carefully put together. It's this kind of attention to detail which I wish I could emulate in some way, but it's pretty much impossible.
2. Daniel Day-Lewis in There Will Be Blood
Is there really anything that I can say that is any different to what everyone else has said about this performance? No, not really. It's just an all-out amazing performance. Everything from Day-Lewis' voice to his posture and to his attitude towards greed and power is just perfect. Plus, he makes a line as weird as "I drink your milkshake!" sound pretty cool.
1. Ralph Fiennes in Schindler's List
Why do I love this performance the most? I can't even count the reasons why. I tend to enjoy villainous performances a lot, but this one has to be my favourite. The way that Ralph throws himself into this role is pretty damn remarkable. But the best thing is the fact that in the close-ups, it looks like he is dead inside, as if he's just made to kill. You really can't have any sympathy for the guy. There are just so many things that make me so damn jealous about Ralph's performance. It's freaking ridiculous that he missed out on an Oscar.
So, what are your favourite performances from members of the male species?
5. Adrien Brody in The Pianist
Of course, I only watched this movie recently, but that doesn't really change much. I can't believe that so many people were doubting his win at the Oscars. To quote my very own review of the movie: "Brody, who I imagine hadn't been in such a weakened state in his life before, is just so goddamn believable it hurts to watch him. And trust me, I felt his performance in my bones. I don't think a performance has ever had that effect on me before." Yeah, and that's all I have to say about that.
4. Leonardo DiCaprio in What's Eating Gilbert Grape
Many times before, I may have said that my favourite Leo performance was in The Aviator. But no, I've come to realise that his performance in What's Eating Gilbert Grape is definitely it's best. Half for the fact that every time I think of him in this film, I find it hard to believe that he's the same guy that has since been in such films as Titanic, The Departed and Inception. However, in the other half, I love his performance in this because he completely transformed himself into his character and he still seemed to be having a lot of fun. I really like performances of characters who are mentally challenged...and this one is the best.
3. Heath Ledger in The Dark Knight
This performance never fails to blow my mind. How someone could possibly involve themselves in a mindset that is so crazy, so villainous and so outrageously colourful is beyond me. Heath had his characterisation right down to the last little feature...every facet of his performance was so carefully put together. It's this kind of attention to detail which I wish I could emulate in some way, but it's pretty much impossible.
2. Daniel Day-Lewis in There Will Be Blood
Is there really anything that I can say that is any different to what everyone else has said about this performance? No, not really. It's just an all-out amazing performance. Everything from Day-Lewis' voice to his posture and to his attitude towards greed and power is just perfect. Plus, he makes a line as weird as "I drink your milkshake!" sound pretty cool.
1. Ralph Fiennes in Schindler's List
Why do I love this performance the most? I can't even count the reasons why. I tend to enjoy villainous performances a lot, but this one has to be my favourite. The way that Ralph throws himself into this role is pretty damn remarkable. But the best thing is the fact that in the close-ups, it looks like he is dead inside, as if he's just made to kill. You really can't have any sympathy for the guy. There are just so many things that make me so damn jealous about Ralph's performance. It's freaking ridiculous that he missed out on an Oscar.
So, what are your favourite performances from members of the male species?
Friday, August 5, 2011
Classic - The Pianist
Roman Polanski was a Holocaust survivor. In 1993, he turned down the opportunity to direct Schindler's List, because at the time he felt he was not ready to confront that subject. In 2002, however, Polanski decided to film his Holocaust themed movie, one called The Pianist, which was based on an incredible true story of survival amongst all of that horror. While this film is completely taken from the autobiography that Wladyslaw Szpilman wrote about his experiences, you can also see that there might be parallels between that story and Polanski's own. Szpilman no doubt survived thanks to the goodwill of non-Jews and just a little bit of luck, and without that, Polanski wouldn't be around blessing us all with his amazing gift of film-making. The fact that this was made by someone who had been there and had witnessed all of that going on made this film the harrowing, realistic experience it was. It's impossible not to admire Polanski's strength here...while we never visit a concentration camp, we see Jews doing anything they can to avoid their inevitable death. This film is all about Jews, not the evil bastards who discriminated against them.
THE VERDICT: One of the best Holocaust themed films, which never fails to involve the viewer and has an absolutely amazing performance from Adrien Brody.
What I hoped for:
What I got:
Thursday, December 16, 2010
DVD--Splice
or: The most stuffed up movie I have ever seen.
One word to sum it up: Weird.
Even though we were somewhat promised a cinema release on Splice, this sci-fi horror somehow wound up in our preview drawer ahead of it's DVD release next month. Now I see why the movie Gods didn't quite trust this film to get on our big screens. No, it's not bad...I kinda liked it. But it's just so strange and stuffed up that our audiences would probably get a little freaked by it. I saw this about five days ago, and I'm still not happy with the rating I have given it. In some ways, it's a load of garbage, but in other ways, it's a great piece of modern cinema at it's best.
Two young rebellious scientists, Clive (Adrien Brody) and Elsa (Sarah Polley), are told by their employers to halt groundbreaking work that has seen them produce new creatures with medical benefits by splicing together multiple organisms' DNA. They decide to secretly continue their work, but this time splicing in human DNA. Their work results in a new creature, Dren (Delphine Chaneac), who appears to be just like a human (with some differences) at first. As she grows, she starts becoming trouble, and Clive and Elsa discover that Dren is the harmless creature they thought she would be.
As I said, I'm torn between good and bad when it comes to Splice. Let's start with the good things this movie has to offer. Splice is a fantastic sci-fi, but also a great horror, which provides more thrills then we have been seeing in the latest 'B-grade horror trend'. The premise is not only intriguing, but particularly relevant these days due to scientists trying to do this kind of thing. Fortunately, Splice doesn't suffer from the Hollywood syndrome, where they take a perfectly possible storyline, dumb it down to the lowest common denominator, and make it totally unbelivable. Splice, instead, takes a very realistic look at genetic engineering, which is quite believable and isn't bogged down by silly special effects. Another thing that Splice has over similar sci-fi's is the impeccable performances from Adrien Brody and Sarah Polley as the 'rock star' scientists.
The flaws that this movie carries also have something to do with one of it's best assets. Blended into the storyline is a theme of growing up and teen angst, which comes in the form of Dren. As she grows up, we start witnessing her confusion over certain things, which contributes to the strangeness of this film. While that theme is so cleverly great, the way it is executed just led me to think 'WTF?!'...several times. In it's final act, Splice loses itself because I couldn't tell whether I should take the movie seriously or not. Either way you look at it, it's hard to take something out of what it is trying to say, and ends up becoming laughable for all the wrong reasons. I have come to the conclusion that Splice was a very good film, up until it became confused with what it wanted to be: a clever sci-fi horror or just another generic horror.
THE VERDICT: Could have been better, and could have taken itself a bit more seriously. However, the premise behind Splice is great, which makes up for most of the film's flaws.
7/10
Thursday, November 11, 2010
DVD--Predators
or: Another year, another gory sci-fi actioner.
One word to sum it up: So-so.
Unfortunately, this weeks releases were practically all R-rated straight-to-DVD horror/action sequels (with the exception of Santa Paws, but was I going to watch that?!), and the only film which I had actually heard of was Predators. So I decided to give it a go, even though I have never watched any of the other films this one is based on/following. The most intriguing thing about it was that Adrien Brody was cast in the lead role. The lead role of an action film. Hey, count me in!
Chosen for their ability to kill without conscience, a group of killers, some trained and some who are not, must endeavour the alien race of predators that have set out to target them as prey. Dropped into the vast jungle of a distant world, these human predators must learn just who, or what, they are up against, and that their ability, knowledge and wits are tested to the limits in the battle of survival of kill or be killed.
First off, I just have to comment on the casting of Adrien Brody. On paper, it seems like a fantastic idea, because he is undoubtedly a great actor and should be able to play against type. He's good, but he is NOT an action star godammit! I actually couldn't believe in him as being a bad guy and he also waltzed around trying to recreate Christian Bale's voice when he is Batman. He was definitely miscast, and despite his best intentions, he could not pull of this role. Probably due to the miscasting of Brody, Predators suffers from several misfires and too often resorts to being like every other action film. None of the characters had been given any background, therefore they become quite stocky and extremely stereotypical action film characters. However, you do know when Danny Trejo comes on, shits about to go down.
Predators isn't by means great, but it is an average watch. It's definitely one of those movies that you watch if you are just looking for an overly violent nonsensical action flick to tide you over for 100 or so minutes. It's not unlike some other older sci-fi action films of it's kind, and makes for a pretty solid sci-fi for this year. Mainly, if you are a fan of other Robert Rodriguez produced films, then this is a good one for you. It's practically the same as all the rest, and doesn't branch out too far or ask too much of the viewer. In other words, Predators is an easy watch, and all you gore-loving fans will love this miscast average action flick.
THE VERDICT: Predators isn't great, but it's a solid sequel that's pretty easy to watch. Apart from Adrien Brody.
6/10
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