Late-ish 2013 Retrospective: Top 10 Directors

Again, I don't have a huge disclaimer to put here. I know it's May, I know it's late, but hey, it is never too late to honour some pretty awesome directors, is it?

Honourable Mentions: Steven Soderbergh - Side Effects, The Coen Brothers - Inside Llewyn Davis, David Lowery - Ain't Them Bodies Saints, Abdellatif Kechiche - Blue is the Warmest Colour, Ron Howard - Rush, Lake Bell - In a World..., Joseph Gordon-Levitt - Don Jon, Ryan Coogler - Fruitvale Station, Asghar Farhadi - The Past, Richard Linklater - Before Midnight, Harmony Korine - Spring Breakers.

10. Spike Jonze - Her
Her is an incredibly brave film. Take it from one of the film's pivotal lines about love: "it's like a socially acceptable form of insanity." The way that the film ruminates on love is so beautiful, as opposed to sugar coating everything and having couples running of into sunsets and that kind of gooey stuff. Perhaps that's all because this is a film about a man having a relationship with his computer. Which is quite strange (it's quite hard to sell this movie to my friends), but Jonze does it in such a way that it feels completely natural. Not to mention, the futuristic world he creates is definitely a world that I could see actually happening, thanks to Jonze not over-saturating the film with ludicrous visions of the future. Even though the movie left me feeling extremely empty for a little while, this is a unique kind of beauty that I wish we could see more of.

9. Denis Villeneuve - Prisoners
Fun fact: throughout many lines of ancestry, it's possible that in some way I'm related to this guy (I would have even had his last name once upon a time, which would have been nice). If that somehow means that I have an ounce of his talent, that would be fantastic. Even though I haven't seen Incendies since it first came out about two and a half years ago, it is still engrained in my brain - it's so hard to shake the deliberately cold, striking way the film was made. It's the same with Prisoners, which Villeneuve could make with a bigger budget, bigger names, and the magic touch of Roger Deakins behind the camera. Prisoners is a masterful, slow burning thriller that mixes the suspense of detective work with the emotional trauma created within the families. It's a puzzle that doesn't seem willing to be solved, but it is made in such a way that I wasn't sure if I ever did want it to be solved. Villeneuve is always in control of his material. I haven't seen Enemy yet (because who knows if it will even get a release here), but how crazy is it that he managed to make those two films in the same year? And here comes my trademark saying: I want to be him.

Baby, You're a Rich Man: The Wolf of Wall Street and Pain & Gain

In the family of movies observing and exploring the American Dream and excess and money and power, you could see The Wolf of Wall Street and Pain & Gain as this: the two brothers, one wearing a suit and making lots of money (no matter how illegal that might be), the other being a little brother pumped up on steroids, jealous of his big brother's wealthy life, so goes on to find a way to make money, fast. Add to that, The Wolf of Wall Street is made by "greatest American director ever" Martin Scorsese, and Pain & Gain is made by "butt of every American director joke" Michael Bay. They seem like they're at opposite ends of the spectrum. And while The Wolf of Wall Street is infinitely better than Pain & Gain, there's nothing that really causes me to write off Pain & Gain.

Just to preface this post: each of these films deal with the American Dream. Each of these films have been mistaken for glorifying it. Which of course, you can't ignore when big name stars like Leonardo DiCaprio and Dwayne Johnson are in these movies living the rich life. But I'd be hard pressed to find another film in 2013 - save for Gravity and Captain Phillips - which left me with a sick stomach.

Scorsese's 70th Birthday, and How Much I Love Goodfellas.

Today is Martin Scorsese's 70th birthday - again highlighting how in the past two weeks November has come to be the best month for birthdays. I would be doing my usual "best of" list here, but the truth is, I haven't seen all that many of his films. I did love Hugo, Shutter Island, The Departed, The Aviator, Raging Bull and Taxi Driver, but one film of his sticks out in my mind more than any other: Goodfellas.

Goodfellas wasn't a film which I loved right from the very beginning. I first saw it around three months ago, and I felt a little underwhelmed by how long it was. However, I managed to buy the Blu-Ray a couple of weeks back and I gave it another spin, which gave the film a whole new lease on life. If there's any film that shows Scorsese's distinctive style, or any film that future film-lovers should opt for first when getting their dose of Scorsese, it is Goodfellas.

Underrated Showcase Sundays: Quiz Show

Underrated Showcase Sundays is a pretty straight-forward: every Sunday I'll shed some light on a film which I think doesn't get enough love. The showcase will be largely unstructured (well, compared to my other reviews) and will often just be random thoughts. It doesn't matter if I've seen it before or not. Tonight's instalment is one I've seen twice before, and had to go to a whole different country to get myself a copy of it on DVD (that sound more dramatic than what it actually happened).

Right in the midst of my huge obsession with Ralph Fiennes, I found two films of his that I had never heard of before: Strange Days hiding on the thriller shelf at Blockbuster and Quiz Show, which I queued up. Each of them were distinctly great films, offering a look at Fiennes just after his work in Schindler's List - a.k.a the best performance of all time. While Strange Days had him playing the fast-talking, smooth yet kinda seedy street hustler, Quiz Show has him playing a role completely different to anything he has ever done: the vulnerable, well-to-do pretty boy who acts his way into the heart of millions. If you look at Fiennes' filmography, you'll find it rich with varied characters and films, but one performance and film that sticks out for me the most is his Charles van Doren in Quiz Show.

Come and Dream with Me.

Film: Hugo
Year: 2011
Director: Martin Scorsese
Written by: John Logan
Starring: Asa Butterfield, Chloë Grace Moretz, Ben Kingsley, Sacha Baron Cohen, Ray Winstone, Emily Mortimer, Christopher Lee, Helen McCrory, Michael Stuhlbarg, Jude Law.
Running time: 126 min.

Here it is. Martin Scorsese's first foray into the dreaded world of 3D, which also happens to be a kids movie. But is Hugo really a kids movie? No. Here is a movie that kids could probably watch, but by the several high-pitched murmurs I heard from the few kids at the viewing, I don't think that they were all that enthralled. Yet, between all of the recycled chases through the train station and a villain who is perhaps just there for the sake of  having a villain, we have Martin Scorsese's extremely personal love letter to cinema and all of its magic. It is a movie that could prove enjoyable to the adults, who choose to see through its many flaws and see a passionate look at film shine through. There is nostalgia everywhere, both in the way of going to the cinemas for the first time, or having a nice, family friendly adventure just like they used to make them - without talking animals. But for kids, if they're not enthralled, get them at the right age and they might take something very special away from it: going to the movies is a magical experience, and it always has been. However, that is a message that doesn't even get recognised until the second half of the movie.

Shutter Island

What's not to love about a Martin Scorsese-Leonardo DiCaprio partnership? The Aviator was so good it almost hurt. The Departed was one of the greatest movies ever made. Gangs of New York...I have not seen. Shutter Island was what was to be expected from the partnership.
Teddy Daniels (Leonardo DiCaprio) is a man going to Shutter Island with his friend Chuck (Mark Ruffalo) to go and investigate the disappearance of patient Rachel Solando (Emily Mortimer). Shutter Island is the home for the criminally insane, which has some crazy happenings, and Teddy becomes involved in this world and what he finds is something he could never believe.
I must admit, I was somewhat disappointed with the movie in the first half an hour. I found it dragged on and was quite boring, but that half an hour was crucial to the movie so it couldn't have been cut. It doesn't work well as a horror, and will be most likely remembered as a smart psychological thriller. This is by no means Marty's best work, likewise Leo's. But, in saying that, they have both produced some bloody good films, and this film can't quite reach their high calibre.
Shutter Island is creepy, and has some gasp-shock-horror moments. Towards the end of the movie, it redeems itself and becomes the stuff of nightmares. If you get a little bored/confused, please stick with the movie, because it is superbly crafted and you will love it. It's surprising that this film got a delayed release date which was closer to the Oscars, but didn't get any reognition. Michelle Williams at least deserved a Best Supporting Actress nod and the Cinematography could have been included.

Looking for a smart psychological thriller? Look no further than Shutter Island.
8/10