Showing posts with label Imogen Poots. Show all posts
Showing posts with label Imogen Poots. Show all posts

Saturday, October 23, 2010

Rewind--28 Weeks Later...

or: Days turn into weeks...for no apparent reason.


One word to sum it up: Gory.

I wouldn't have watched 28 Weeks Later..., the sequel to 28 Days Later..., had it not been on TV one night. I mean, the first didn't exactly demand a sequel, and seeing that it was directed by someone other than Danny Boyle kinda put me off a bit. Horror sequels, in my mind, barely ever work because they go for the whole 'let's be bigger and better than the first' aspect instead of actually worrying about viewers tastes. While 28 Weeks Later... doesn't try too hard to be better than the first (because it's damn near impossible to try and emulate what 28 Days Later... achieved), it still can't capture what made 28 Days Later... great and uses excessive gore as a replacement.

In the country nearby London, Don (Robert Carlyle), his wife Alice (Catherine McCormack) and a few survivors live hidden in a farmhouse. When infected people break in the house, Dan panics and does not help his wife to escape, running away and leaving Alice trapped inside the room. Twenty eight weeks after the outbreak that annihilated the population of Great Britain, London is considered safe and the British survivors return under the coordination of the American Army, that keeps the city under permanent surveillance. The teenager Tammy (Imogen Poots) and her younger brother Andy (Mackintosh Muggleton) travel back from Spain to live with their father Don in London. They miss their mother and decide to escape to their old house to retrieve pictures and some other personal belongings. However, they find Alice surprisingly alive and the Army brings her to the base. After some blood test, the biologist Scarlet (Rose Byrne) discovers that Alice is a carrier of the lethal virus and somehow has immunity to it...

The problem with 28 Weeks Later... is that it focuses way too much on being a gory zombie horror than a fight-to-survive humanist horror like the original. Don't get me wrong, it is a fine sequel. But sometimes, like most sequels do, it left me wondering why they made a second installment in the first place. 28 Weeks Later... does a good job of capturing London reconstructing itself after the outbreak, and plunges the viewer into a labyrinth of safety-that-isn't-all-that-safe. It makes itself become a survival guide for if these events actually really happened, and I'd imagine if they were make packs on outbreak survival, this movie should be right in there.

Sometimes it feels scary and original, continuing on with the real looking zombies and thrilling zombie/human chase scenes. Other times, it feels like it's trying too hard to be the original. It kept playing 'In the house-In a heartbeat' during action sequences, which didn't feel right because that song was perfect for the climax in 28 Days Later... The direction is also trying to be like Danny Boyle's. Truth is, only Danny Boyle can do something so visionary. It is a solid sequel, and raises some questions about our future and what could happen, but lacks the humanism that made the first one so great.


THE VERDICT: A lock, stock and barrel horror which is both gory and cleverly scary, but of course, it isn't as good as the first. Danny Boyle could have made it better.

6/10

Sunday, October 17, 2010

DVD--Solitary Man

or: Aging disgracefully.


One word to sum it up: Condescending.

With all the the news surrounding Michael Douglas of late, because of the recent release of Wall Street: Money Never Sleeps and his diagnosis with throat cancer, I felt surprisingly drawn to watch one of his more recent releases, Solitary Man. This movie just seemed to drift in from nowhere, and also got some pretty good reviews along the way, not to mention the fact that Jesse Eisenberg (with a really great cast) makes an appearance. Not bad for a movie which just turns up on the shelf with no warning.

Ben Kalman (Michael Douglas) is aging: he has heart problems, his marriage is over, he's lost a fortune after being caught cutting corners in his East Coast car business, and he's sleeping with as many women as possible - the younger the better. He's chosen his current girlfriend, Jordan (Mary-Louise Parker), because her father can help him get a new auto dealership; she's asked him to escort her daughter, Allyson (Imogen Poots), 18, on a visit to a Boston college campus. He behaves badly, and there are consequences to his love life, his finances, and his relationship with his daughter (Jenna Fischer) and grandson. Is there anywhere he can turn?

To be honest, I really couldn't understand the premise of this film, mainly because I haven't lived enough to be able to connect with the messages that this film dishes out left right and centre. That aside, the central character in the film, Ben, is extremely hard to connect with, because he is amazingly cold and purely heartless. But hey, when you have Michael Douglas in the role, he can pull it off, and the character doesn't become so annoying, thus lifting the whole film. It's miserable material: the film is centred on one horrible guy's relationships and wants in life, while he is aging and deteriorating in health. Not once does it let up and try and turn itself into a happy fluffy piece of film...it has a dark look on the matter and remains dark for an hour and a half.

This is maybe what Gran Torino would have been like had Michael Dogulas been in the lead role and that role was a bit of a ladies man. But it makes itself to be a little more of a Wall Street type film, with all the greed and whatnot. Unfortunately, it wasn't at good as it's rave reviews said it would be, but maybe I'm a little too young to be meddling in this sort of material. However, on a whole, this is an accurate portrayal of aging in the most disgraceful way possible.


THE VERDICT: With a great central performance which lifts the films material up a notch, Solitary Man isn't fantastic, but it's surprisingly good for a small movie about one person's relationships.

6/10

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