Showing posts with label Steven Spielberg. Show all posts
Showing posts with label Steven Spielberg. Show all posts

Wednesday, October 31, 2012

Dipping My Toes in Horror: The Texas Chainsaw Massacre and Poltergeist


Honestly, this month has gone on forever. It seems like years ago that I saw The Cabin in the Woods and The Evil Dead, and a whole lot of the other horror films I caught up with this October. I'm finishing the month off with an unintentional Tobe Hooper double-feature: his 1974 gorefest The Texas Chainsaw Massacre and his 1982 ghost story Poltergeist. Then we'll get to my overview of the month, and what's in store for next month. (just a note: my monthly review will be up tomorrow because, come on, I had to do a horror film post on Halloween!)


I have filed The Texas Chainsaw Massacre away into the pile of films that I don't ever want to think about again. And hey, that's a pretty select few. Maybe that's because I watched it late on a Friday night, when I was practically drunk from sleep-deprivation (yes, I'm a teenager). Or maybe because wholey mother of crap, what the hell was going on in this movie.

Chainsaws terrify me.

I mean, I know that I've been spending this entire series going on about how witches terrify me, and black-and-white terrifies me, and pumpkins terrify me...well, I gotta say, chainsaws take the cake. Honestly, I was terrified of getting my two arm casts off because of the chainsaw they use. And then I saw this movie, and now I can't listen to that grating sound without hearing "death death death".

Thursday, January 26, 2012

I Will Find You and I Will Bring You Home


Film: War Horse
Year: 2011
Director: Steven Spielberg
Written by: Lee Hall and Richard Curtis
Starring: Jeremy Irvine, Emily Watson, Peter Mullan, David Thewlis, Niels Arestrup, Tom Hiddleston, Benedict Cumberbatch, Celine Buckens, David Kross.
Running time: 146 min.

As you may remember from this post, I lost a horse who was very dear to me and I would give literally anything to have her back. So right from the start, War Horse was going to be a film which I would love. Which is also quite a bad thing, since whilst watching I failed to look at the movie from a critical, 'the-movie-snob-that-I've-become' standpoint. Instead, I was left in tears more often than not. And these moments of extreme emotion weren't because of the really sad parts. In fact, I found myself in tears right at the beginning when Albert (Jeremy Irvine) was teaching Joey to respond to his whistle. This is because I remember exactly what that was like, to build up a bond with a horse that no-one could possibly ever break. And I miss it. I miss everything about having a horse to call my own, whether it be just to wrap my arms around it's neck or head, or have it rubs it's nuzzle up against my face. It may sound stupid to anyone who has never owned a horse in their life, but when you spent 15 years of your life with them and now you're left with nothing, you would understand why there's a huge void in my heart. That's why the story of Albert having his horse taken off him (in the worst possible way - I know exactly how it feels to arrive home and find that my horse isn't there, and it isn't pretty) resonated with me so much, and why I loved War Horse practically more than anyone else did.


Saturday, January 7, 2012

"How's your thirst for adventure, Captain?"


Film: The Adventures of Tintin
Year: 2011
Director: Steven Spielberg
Written by: Steven Moffat, Edgar Wright and Joe Cornish
Starring: Jamie Bell, Andy Serkis, Daniel Craig, Nick Frost, Simon Pegg, Daniel Mays, Gad Elmaleh, Toby Jones, Joe Starr, Cary Elwes.
Running time: 107 min.

I was quite sceptical about going to see The Adventures of Tintin since I had no background knowledge on the ginger-haired journalist. Sure, I may have flicked through a couple of Tintin books at my school library as a kid, but I can't say I was ever that interested. So like The Muppets, which I saw less than an hour before this one, I was in for a completely new ride in what is quite an old adventure. And just like The Muppets, I enjoyed it quite a lot. Right from the moment when we were introduced to Tintin (who is voiced/played by Jamie Bell), getting his painting done (and the painting looks just like Hergé's original drawings, which would have been quite cool for many fans) while his cute dog Snowy investigates a wallet-thief, I already felt quite entertained. It was like a warm fuzzy feeling as Spielberg pulled me into his beautiful cinematic arms and didn't let me go until the credits started rolling.


Friday, November 18, 2011

"I know that's your camera, sir, but technically that's my film."


Film: Super 8
Year: 2011
Writer/Director: J.J. Abrams
Starring: Joel Courtney, Riley Griffiths, Ryan Lee, Gabriel Basso, Zach Mills, Kyle Chandler, Elle Fanning, Noah Emmerich, Glynn Turman, AJ Michalka.
Running time: 112 min.

I often hear a lot of people getting all nostalgic about the movies they watched in their childhood, like E.T, or The Goonies, or Ghostbusters. Unfortunately, I missed the 70s/80s, when easy, breezy family entertainment was fun and fresh. Instead, I was born in 1995, which I suppose wasn't a great time for family entertainment compared to then. I didn't watch any movies either, because whenever a family movie came on at 12pm every Sunday, I would turn it off. If there was one thing I hated more than American sitcoms with canned laughter as a kid, it was corny 90s family movies. So when it came to see Super 8, a movie which I heard was extremely nostalgic and sort of a homage to sci-fi family movies from the 80s, I was a little worried that I wasn't educated enough to get it. Instead, J.J. Abrams' movie, with Steven Spielberg producing, is one that not only pays tribute to the movies that most of us/our parents grew up on, but also pays tribute to our childhood. The carefree days when we had imaginations that couldn't be reined in by cynicism or the harsh reality. The days when school didn't matter all that much. The days when everything seemed so much easier.


Saturday, July 16, 2011

The Art of Inspiration: Schindler's List

I must admit, I hate watching movies in class. Everyone usually groans when the teacher announces what we are going to watch, and therefore everyone watches the movie with this instilled hate, which means they refuse to like it. Mind you, the kinds of movies we watch at school are very standard...ones I can remember watching since I started high school are Wild Child, Avatar, Forrest Gump and Ferris Bueller's Day Off (now that one was awesome). Anyway, for drama we are doing some scenes from 'The Diary of Anne Frank'. First off, we watched the 1959 version of the movie (which was good). After we finished that, we got into a bit of a discussion about the Holocaust, before me and the teacher started telling everyone about Schindler's List. The next day I brought the movie in for all of us to watch, just so we could get a better understanding of the Holocaust. Let's just say, this is probably the best movie I've watched at school. Even though I've already seen it, I felt that this time I got a better handle on it.

"Whoever saves one life, saves the world entire."

Schindler's List is the story of a man who didn't care much for anything but money and power, but then he came to change his mind when he saw first-hand what was really happening to these Jews. Now this might seem like your average inspirational flick that has so much hope in it you feel on top of the moon while watching it. But for one thing, we all know the Holocaust wasn't a very hopeful time at all. For the most part, we know the inspiration is there, but there it isn't that so-happy-you-feel-sick sort of inspiration. Instead, the movie is just so horrible to watch that you feel sick, with the greater good of a human making this an unforgettable experience.


At the beginning of the film, we are introduced to Oskar Schindler (Liam Neeson), who has scraped together every cent he has so he can go to a fancy restaurant and dine with some fellow members of the Nazi Party, eventually bribing them to sponsor his business: a factory which makes cookware for the army. Here we see the Schindler who wants money, and wants it bad. Once he has it, he uses it to send lavish gifts to some powerful figures in the SS. The best thing is that he hires Jews to do all of the work at his factory, who come at very cheap rates. So here Oskar is, well on the road to having more power and money than he has ever had before, taking advantage of everybody's vulnerability during the war: the Nazi's because they want to be lavished more than anything and the Jews because they just want to stay alive as long as possible.


Schindler's big introduction is, in my opinion, one of the most beautiful things that I've ever seen. The camera goes around him as he navigates his way around the club, looking even more suave thanks to the carefully placed smoke coming from his cigarette and his appearance in black and white. I reckon this is the moment when I just fell completely in love with Liam Neeson. His presence in this film is compelling. From the start, you can't tell whether this guy is capable of so much good. He just weasels his way to the top, without little thought for anyone else. But there's that scene where he rides up to watch the liquidation of the ghetto in Krakow, and he sees the iconic little girl in the red coat, that he is compelled to make a change.


Schindler makes a change, by hiring these Jews to work for him, basically saving them all from being gassed. He makes a list of all the Jews he needs as 'essential services', which means they shouldn't be put on the trains to Auschwitz. Along with saving almost 1,200 lives, he also refused to contribute to killing in the war by producing faulty ammunition. While the guy was a truly inspirational figure for the things he did, he wasn't the kind of guy who was filled with positivity and spread glitter around everywhere because he was God. He only really cared about money all along, he did dodgy dealings with the black-market and he slept with countless women even though he was married. When sorting the good guys from bad, Schindler will always be at the top of the good guys list, but there are those flaws there to remind us that he is only human, not God. Even though he achieved so much, Schindler felt overwhelming guilt by the end of this movie, because he felt that he could have saved more Jews by selling his possessions to buy them. The scene where he is thanked by the Jews with a ring and a letter describing his actions and he breaks down was beautifully played by Neeson. He felt that he could have done more, even though he had done more than enough. Which was the moment when this film became truly inspirational, and when Schindler is established as a wholly good guy.


Along with the beauty and horror of this story, another thing which I absolutely loved about Schindler's List was the performance from Ralph Fiennes as SS-Lieutenant Amon Goeth. Our class all pretty much agreed that he was a hell of a good-looking man but he was a complete psycho. The best thing about his performance was the fact that when there was a close-up of him, you'd look into his eyes and it was like he was nothing. It was like he was empty, drained of life, drained of any humanism. He just kills because he feels he has to. He doesn't get joy out of shooting a whole lot of Jews - he gets joy out of feeling like he has some sort of authority over everyone else. I'm sure he didn't just wake up and decide to shoot someone from his balcony because he wanted to kill someone - he did it so everyone knew that he was around. He wanted everything to go his way, because he was in power.


So what if he didn't feel anything? He was little more than a boy getting a gun and being told to kill the people who remotely pissed him off. But he didn't kill Helen Hirsch (Embeth Davidtz) - he beat her because he cared about her, and that was his way of showing power around someone he felt any sort of emotion for. I liked how when he went down to the cellar and found Helen down there, he started off talking to her all edgy, like a boy with a crush. This was a completely different side to him which Helen didn't buy because she knew first-hand how horrible he really was, which in turn, made him go back to his usual self. It is hard to play someone so empty and power-hungry at the same time, which is why I loved Fiennes' performance so much. It is probably the best male performance that I have ever seen.


To me, Schindler's List is a perfect film. The black-and-white cinematography was absolutely impeccable, and made the movie far better. With colour, the film may have become dated and would have lost most of it's haunting vibe. However, thanks to the black-and-white this is a timeless classic, perfectly capturing the story. Steven Spielberg's direction adds a lot of humanism, and definitely puts most of his other films to shame. Everything technical is brilliant in this film...so carefully crafted. The performances from the entire cast are all heartfelt, even the ones from the several secondary cast members who played many of the Schindler Jews. Ben Kingsley has a particularly restrained performance as Schindler's accountant Itzhak Stern, which I found to be quite poetic for some strange reason. It has a brilliant mix between good and bad; showing many scenes encapsulating the horrors of the Holocaust without portraying the Jews as exactly what the Nazi's thought of them: helpless animals. Instead, many of them are given true identities, and you feel their fear and eventual gratitude.


At the end you see the real Schindler Jews coming to put stones on his grave, there is no doubt that it will fill you up with hope and inspiration. These people went through hell, but they survived thanks to a man who had enough compassion to give some people a chance at life that they had the right to have. He saw above what many other people saw. He even saw above what he really wanted to gain in life. His life after the war wasn't brilliant either, as he still had to hide from the many people who disagreed with his actions, and he failed at marriage and attempting to make good business. He later died without any money. But thanks to this film, no one can forget what a good influence he had on the future of the Jewish people. He left 1,200 people to continue on for generations and generations. He wasn't a completely good person, but he was a human, and he saw other humans for what they were. And that, to me, is why this film is so inspirational.

What are your thoughts on Schindler's List? Is it one of the greatest movies ever made? Did you find it inspirational?

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